A New Musical
Stella is a genius who wants to innovate new tech, making underdogs superheroes! But her dream job in San Francisco is a flop on Day One when her impostor syndrome combines with the big bro energy at Big Tech Inc. She’s not the only woman in a pickle: Paloma’s overconfidence earns her the label “bossy”, and the men can’t see past Jane’s double Ds. Guided by her favorite femme-tech podcast, “Leave it to the Beavers”, Stella attempts to overcome her nerves, but her brilliant idea is stolen by a douchebro. Being a woman in tech means fighting an uphill battle in a Brotocracy riddled with questionable moral standards, so, Stella, Paloma, and Jane break out on their own. Developing products is easy, but convincing venture capitalists to invest sends them reeling when they discover even more toxic masculinity in fundraising. Nearly bankrupt, they’re forced to take a buyout deal from Big Tech Inc, which comes with golden handcuffs and a catch: they’re at the mercy of its narcissistic, pervy CEO. They’ll need to catch him in the act of committing fraud to break free...
A phenomenal staged reading <videos coming soon!> of the show was performed for an audience 50 attendees on May 17th in Dallas in collaboration with MusicalWriters.com
We'll be attending the MusicalWriters festival in Frisco In July. Hear our songs at the New Works Cabaret, watch a pitch our show at Pitch Night, and hear a 20-minute segment performed live!
Marisa Mitchell is a book writer who takes joy in tackling weighty social themes with a healthy dose of comedy. She is based in San Francisco, California, the epicenter of the hubris of artificial intelligence. Other highlights of work include 350 parts per million, a coming-of-age comedic musical about hope in the face of the climate crisis (Gateway Theater, 2024; Finalist, Musical Writers Pitch Competition, 2022), The Hive, a musical about a cult facing an existential threat (Broadwater Theatre, 2025), The Fermi Paradox (Winner, Playhouse Creatures Fight Forward Festival, 2023). Ms. Mitchell also writes and performs corporate musicals in front of audiences of hundreds, poking fun at corporate and tech culture. NMI Core Curriculum (Bookwriting, Composition), MBA, MA, BS.
David Thomas Jones is a lyricist based in Los Angeles, California. He is the lyricist of Another Door Opens, a short musical about a magical elevator and the power of choice, which premiered at the Broadwater Theatre in Los Angeles in 2025. Mr. Jones has been writing folk songs, pop songs, jingles, and educational lyrics since 2016, and transitioned into musical theater in 2021. NMI Core Curriculum (Lyrics), DC, MS.
Kelly Krebs is a Twin Cities-based composer whose work merges classical art song traditions with contemporary pop sensibilities. Kelly has enjoyed collaborations with VocalEssence, Art Song Lab, and the Source Song Festival. He's a three-time Song Slam Twin Cities medalist (first place 2022, 2023). Kelly's commitment to musical theater deepened through Nautilus Music-Theater's Composer-Librettist Studio (2018) and New Musicals Inc.'s Core Curriculum (2024-25). In 2024, he had a staged reading of "Norman!"—a musical parody of Hitchcock's "Psycho." The NMI program culminated in a July 2025 Los Angeles production of "Another Door Opens”.
reach us at howtosucceedmusical@gmail dot com